
Miguel Ángel Mendoza Melchor, La Abuela, 2025

Chris Jones, The Face of Nocturne, 2024

Vijor McCray, American Secrets, 2024

Sophie Harpo, The Empress, 2021

Miguel Ángel Mendoza Melchor, Dualidad, 2023

Chris Jones, Break from Painting I, 2021

Vijor McCray, Keeping Your Head Above Water, 2025

Jahmane West, Snake Charmer, 2010

Sophie Harpo, Death, 2021

Miguel Ángel Mendoza Melchor, Bailando Son, 2022

Chris Jones, Portrait of the Artist Set Aglow from the Blaze, 2022

Vijor McCray, Women’s Rights Are Trouble, 2025

Jahmane West, Love Slugger, 2015

Sophie Harpo, The Chariot, 2021

Sophie Harpo, The Emperor, 2021

Jahmane West, Restless Native Genome, 2010

Sophie Harpo, The Hermit, 2021

Sophie Harpo, The Hierophant, 2021

Jahmane West, Model Citizen, 2010

Jahmane West, Sirius B Bazaar, 2010
On View January 23, 2025 - April 4, 2025
Mythmakers celebrates five artists who explore mythmaking as a tool of creation, disruption, and survival. In our political moment, where the capacity to distinguish between fact and fiction–the real and the imagined–has never felt more important, the exhibition asks viewers to question what they see and arrive at their own sense of truth. Featuring works by Jahmane West, Sophie Harpo, Chris Jones, Vijor McCray, and Miguel Ángel Mendoza Melchor, Mythmakers considers the role of art in bravely critiquing an unjust society and mythologizing the world we want to live in.
Sophie Harpo is a Black comics artist who defies categorization, prompting us to reconsider the boundaries of fine art, commercial visual culture, and everyday life. Harpo draws inspiration from pop art, history, cartoons, drag, and vaudeville to depict the adventures of Left Handed Sophie, “a young albino Black woman coming of age in the Gotham-esque setting of O’Shea City.” Included in the exhibition are eight small drawings that depict Left Handed Sophie–alongside other members of The Young Americans–using a divination framework borrowed from tarot cards. Their intricate drawings, with original characters, expertly explore, “the intersections of race, gender, magick, and mythology,” while seducing viewers into a fictional, illustrated universe that, at times, mirrors dark corners of reality.
Chris Jones depicts Black and brown figures among vivid nature scenes and mythologized dreamscapes to, “honor Blackness, queerness, fantasy, and transformation.” Celebrating nocturnal magic, ritual, and healing, Jones’ works on view–which include a painting, wall sculpture, and two collages–use light and dark to balance fantasies with memories. As an art therapist, Jones is interested in Reflective Distance, the practice of creating safe space for creative, nonverbal communication and the title of one of their pieces. As a maker, Jones remains open to evolving through the artmaking process itself, allowing that transformation to serve as a guide in the creation of new works.
Vijor McCray is an abstract realist painter who aims to position the viewer within a moment, whether it be one of, “nostalgia, love, loneliness, vulnerability, triumph, or connection.” Grappling with the tensions between the myths surrounding Black identity and her own lived experience, McCray aims to depict both the full breadth and depth of our stories and her own, “plain black life.” On view are two new paintings, one that depicts an abstract self-portrait, and the other that borrows imagery from 1970s sex advertisements and subverts their message to comment on myths enshrouding women’s-rights-in-practice today.
Through his oil paintings, predominantly portraits, Miguel Ángel Mendoza Melchor captures the essence of magical realism, reflecting the rich traditions and warmth of his Mexican heritage. He, “invites viewers to explore the rich tapestry of human existence, fostering a deeper understanding and appreciation for the shared threads that connect us all, regardless of our cultural backgrounds or geographical locations.” In Dualidad, Melchor asked a young Venezuelan woman to think about her mother, capturing her face both before and after she allowed her mind to wander down memory lane. Across his extensive body of work, he celebrates the inherent beauty, resilience, and perseverance of Hispanic people navigating the myth of the American dream.
Jahmane West works across painting, collage, graffiti, fashion design, and more to experiment with, “art's ability to affect the individual viewer and society as a whole.” Inspired by vintage posters, zines, African-American quilting traditions, interior design, architecture, and science fiction movies, he aims to communicate across social barriers, “deconstructing popular norms and challenging cultural stereotypes.” On view are five collages depicting mythological creatures, each of whom appears to possess a unique superpower as conjured by the objects and symbols used to create their distinct, bodily forms. Here, West deploys an abstract language all his own to bridge historic and contemporary references, and comment on the patchwork construction of social and cultural identities.
Across all five artists’ works are rich explorations of duality–light and dark, self and other, and fantasy and fiction to name a few. In addition to loaded symbols and familiar iconography, many artists also use text as a raw material to further complicate their visual narratives. Presented in the wake of Inauguration Day, Mythmakers aims to create a safe, dialogic space for our community to reflect on what it means to live in a society where duality and the celebration of difference is contested.
- nico w. okoro, Founder + Principal, The Building Fund | Founding Partner + Curator-at-Large, Orchid Gallery
Sophie Harpo is a black comics artist who explores the intersections of race, gender, magick, and mythology through her original characters and illustrated universe. Her life’s work follows the adventures of her main character, Left Handed Sophie, a young albino black woman coming of age in the Gotham-esque setting of O’shea city. Drawing inspiration from pop art, history, cartoons, drag, and vaudeville, her practice defies categorization and invites viewers to reconsider the boundaries of fine art, commercial visual culture, and everyday life.
Chris Jones celebrates nocturnal magic, ritual and healing. Nightmare, for them, is when they can make their metamorphic moves in silence, cry when no one can see them, and where they have and fully can embrace their intimate, sensual self. They paint Black and Brown figures among vivid nature dreamscapes to honor Blackness, queerness, fantasy, and transformation. In their work, tender, loving care goes into the uses of light and darkness to balance fantasies with memories. They approach the painting process with a sensitivity, softness, and an open-mindedness to keep on evolving the work with truths discovered through the process. Like night, they believe in the power of art as a means for people to open up, disarm, maybe even recognize a part of themselves they never had before. Vulnerability creates space for community–they believe that is the only way for people to collectively heal.
Miguel Ángel Mendoza Melchor’s artistic practice encompasses a variety of techniques, ranging from graphite on paper to gouache and acrylic on canvas, where he explores a vibrant and expansive color palette. Through his work, he aims to capture the essence of magical realism, particularly evident in his gouache and acrylic pieces, which reflect the rich tapestry of his cultural heritage, rooted in the traditions and warmth of Oaxaca, México, and extending beyond its borders.
In his oil paintings, predominantly portraits, he seeks to celebrate the inherent beauty of Hispanic women. Each portrait—whether of his partner, friends, niece, or coworkers—serves as a testament to the resilience and perseverance of those who navigate the complexities of life in America. It is his belief that their unique stories and Hispanic beauty deserve recognition within the hallowed halls of art galleries, spaces that sometimes feel exclusive and distant. By depicting portraits from diverse backgrounds and nations, he endeavors to underscore the profound diversity of human features found across our planet. While our appearances may vary based on geography and culture, we all share the same fundamental rights and privileges, irrespective of the nuances of our facial characteristics.
Vijor McCray is a mainly abstract realist painter with over eight years of creative achievements. Her body of work stands as a testament to who she is as an artist. Her art puts you in a moment, whether it be a moment of nostalgia, Blackness, love, loneliness, vulnerability, or triumph. Recently, she has honed in on depicting current events and moments of relatedness. Her goal is to release Black realness in a visually pleasing manner through her gaze as an artist of color. For McCray, being an artist of color is particularly overwhelming because of the sheer number of our shared stories and experiences. Her works are an indulgence of her day to day, her inspirations, her truth, her inner child, and her plain Black life.
Jahmane West’s collections of art represent the many diverse concepts from which he draws inspiration. Throughout his years as an artist, he has always been fascinated by art's ability to affect the individual viewer and society as a whole. Exploring various styles, mediums and techniques has expanded his visual lexicon and allowed his work to communicate beyond social barriers.